Showing posts with label mourning. Show all posts
Showing posts with label mourning. Show all posts

Galerie des Modes, 37e Cahier, 6e Figure

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Pelisse lévite with cuffs and Collar trimmed with ermine, the petticoat of spotted white Satin, the muff of the same trimmed with bands of ermine, and the Belt also of ermine, the Pouf surmounted with batiste flowers and plumes.  This Gown was worn by a Lady of quality during the Mourning for M. Thérèse of Austria, mother of the Emperor and the Queen of France. (1781)

This plate is from the Museum of Fine Arts Boston, 44.1524.
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Galerie des Modes, 37e Cahier, 5e Figure

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Grey second mourning suit lined with black, edged with a black gance, the white vest embroidered with black, fringed manchettes. (1781)

"One knows a point called the precise time that it is necessary to grieve for the loss of a father and mother, grandfather and grandmother, husband and wife, brother and sister.  Not only the term is calculated, but also the graduated expression of sadness; all the nuances are laid down and engraved, that is, printed.  Mourning has three nearly equal periods.  One knows that women may or may not wear diamonds; when men may wear the épée and silver buckles, or have bronze shoes and buckles.  The sadness decreases with the color of dress: batiste manchettes, wool stockings, wool suit, silk suit, embroidered manchettes, trimmed narrowly, tears more or less abundant!  Even the coaches have black harnesses suring the first months, and then they are whitened during the next six weeks.  Mourning, for men and horses, lightens in a progressive march, and who has his laws."

Sébastien MERCIER, Tableau de Paris, edit. 1783


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Galerie des Modes, 37e Cahier, 4e Figure

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Manner of wearing informal mourning.  Vest of white silk embroidered with black, under a black coat of silk or wool.  Stockings of white silk.  Fringed linen. (1781)

The Galerie des Modes gave this plate of a mourning outfit and the one reproduced as number 162 on the occasion of the death of Marie-Thérèse of Austria, mother of Marie Antoinette, on the 29th of November 1780.  Regarding this court mourning dress:

"There is a book which will teach you when to put on black stones or diamonds, to wear caps of black étamine* or a gauze kerchief.  It will then tell you in what manner one cuts a mourning whose days are irregular.  You will learn in this useful book that one wears black for the larger part of it, and that if the mourning, for example, is for fifteen days, black is worn for eight days and white for the following seven.

"In Paris one wears mourning for one's parents, for monarchs, princes and princesses of Europe; mourning is never worn for a friend.

"You want to be saddened at the death of a sovereign; the public papers will tell you that mourning is suspended, and that you may only legitimately put off the liveries of sadness in three weeks, following a pink ball which throws off this epoch of crêpe, flat lappets, hanging coiffures.  But on the day indicated by the weekly paper, everyone is in black, and a multitude of people which have no other dress are thus very satisfied.

"When the whole court is in black, only the king is in violet."

Sébastien MERCIER, Tableau de Paris, edit. 1783


* A light fabric, often used for straining liquids.
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Galerie des Modes, 37e Cahier, 3e Figure

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Black polonaise or informal gown that can be worn in Grand mourning.  The muff is of black plumes according to etiquette.  Grey pelisse edged with swansdown. (1781)

This plate is from the Museum of Fine Arts Boston, 44.1521.

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Galerie des Modes, 37e Cahier, 2e Figure

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Grand Court Mourning, full pleureuse and cravat, wool stockings, épée and black buckles, crêpe on the Hat and the épée. (1781)

This plate is from the Museum of Fine Arts Boston, 44.1520.  A pleureuse is a strip of white cloth worn on the sleeve to signify mourning.
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Galerie des Modes, 37e Cahier, 1ere Figure

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Full Court mourning, adjusted, with tied Coiffure.  According to etiquette the gown is of Raz de S. Maur, trimmed with Gauze in drapery tied with ribbons on a ground of bouillonné crêpe. (1781)

This plate is from the Museum of Fine Arts Boston, 44.1519.

According to Louis Harmouth's Dictionary of Textiles (1920):

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